Three Colors: Red 1994
BluRay | French Subs: English mkv 95 mins 4.43 GB
Director: Krzysztof Kieslowski | Writers: Krzysztof Kieslowski, Krzysztof Piesiewicz | Stars: Irène Jacob, Jean-Louis Trintignant, Frédérique Feder
Drama Mystery / Romance
Three Colors: Blue is the first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. Blue is the story of Julie who loses her husband, an acclaimed European composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew free of personal commitments, belongings grief and love. She intends to spiritually commit suicide by withdrawing from the world and live completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heals Julie and irresistably draws her back to the land of the living.
IMDB info
Single link, Filesonic, 4.59 GB:
three.colors.white.1994.proper.720p.bluray.x264_cinefile.rar
400 MB volumes, Filesonic:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
400 MB volumes, Uploading:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
No mirrors please
Three Colors White 1994
Three Colors: White (French: Trois Couleurs: Blanc, Polish: Trzy kolory. Biały) is a 1994 Polish-film co-written, produced, and directed by Krzysztof Kieślowski. White is the second in The Three Colors Trilogy, themed on the French Revolutionary ideals, following Blue and preceding Red.
Starting in Paris, the film depicts Karol Karol, a shy man who, after being left by his wife in humiliating circumstances, loses his money, his residency, and his friends. As a deeply ashamed beggar in Warsaw, Karol begins his effort to restore equality to his life through revenge.
This film illustrates the second theme of the Three Colors trilogy, equality, through the two desires of the protagonist Karol Karol: improving his station in life, and revenge. In contrast to the introspective, melancholy, and eventually hopeful stories of Blue and Red, White is a black comedy.
The film has a political subtext, in which Karol's impotence and financial helplessness in France, and subsequent rise as a somewhat shady capitalist, mirror the attempts of Poland to advance from its disadvantaged position within Europe. Though Kieślowski had cheered the downfall of Poland's former communist regime, in later life he expressed a nearly equal distaste for the free-market adjustments that followed, believing that opportunities for real equality had been passed up in the pursuit of money and European prestige.
Like Blue, the film's cinematography makes heavy use of the title colour: the sky is almost always white, and a scene in Poland is filmed in a white snowscape. An explosion of white is also the colour of the long-awaited orgasm. As with the rest of the Three Colors trilogy, White contains numerous images that at first appear unconnected but are revealed to be flashbacks, flash-forwards, or references to other films in the trilogy. In the opening scene in the courthouse, Juliette Binoche, playing Julie from Blue, briefly enters the courtroom by accident, as she had been seen doing in the earlier film.
A symbol common to the three films is that of an underlying link or thing that keeps the protagonist linked to his/her past, in the case of White the items that link Karol to his past are a 2 Fr. coin and an immoral plaster bust that he stole from an antique store in Paris. The first inexplicably sticks to his hand when he tries to throw it away, and he keeps it until he buries it with "his" corpse. In the case of Red the judge never closes or locks his doors and his fountain pen, which stops working at a crucial point in the story. In the case of Blue it is a lamp decoration of blue beads and a recurring image of people falling while bungee jumping or sky diving.
A recurring image related to the spirit of the film is that of elderly people recycling bottles; in Three Colors: White, an old man in Paris is trying to recycle a bottle but cannot reach the container and Karol looks at him with a sinister grin on his face (in the spirit of equality). In Three Colors: Blue, an old woman in Paris is recycling bottles and Julie does not notice her (in the spirit of freedom); in Three Colors: Red an old woman cannot reach the hole of the container and Valentine helps her (in the spirit of solidarity).
It has been interpreted as an anti-comedy, in parallel with Blue being an anti-tragedy and Red being an anti-romance.
IMDB info
Single link, Filesonic, 4.59 GB:
three.colors.white.1994.proper.720p.bluray.x264_cinefile.rar
400 MB volumes, Filesonic:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
400 MB volumes, Uploading:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
No mirrors please
Three Colors: Red 1994
Single link, 4.43 GB:
Three.Colors.Red.1994.PROPER.720p.BluRay.x264_CiNEFiLE.rar
400 MB volumes, Filesonic:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
400 MB volumes, Fileserve:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
No mirrors please
Three Colors: Red (French: Trois Couleurs: Rouge, Polish: Trzy kolory. Czerwony) is a 1994 French-Polish–Swiss co-production, co-written, produced, and directed by Polish filmmaker Krzysztof Kieślowski. It is the final film of The Three Colors Trilogy, which examines the French Revolutionary ideals; it is preceded by Blue and White. Kieślowski had announced that this would be his final film, which proved true with the director's sudden death in 1996. Red is about fraternity, which it examines by showing characters whose lives gradually become closely interconnected, with bonds forming between two characters who appear to have little in common.
Valentine is a young model living in Geneva. Because of a dog she ran over, she meets a retired judge who spies his neighbours' phone calls, not for money but to feed his cynicism. The film is the story of relationships between some human beings, Valentine and the judge, but also other people who may not be aware of the relationship they have with Valentine or/and the old judge. Redemption, forgiveness and compassion...
As in the previous two films, a single color dominates: numerous objects in the film are bright red, including the huge advertising banner featuring Valentine's facial profile. Several images recur throughout the film. Telephone communication is important throughout, and so is broken glass (when Kern reveals his eavesdropping, his neighbors throw rocks through his windows, and the end of the film Kern watches Valentine and Auguste on the news while watching the outside world through broken glass). Also, when Valentine is bowling, the camera moves down the line to where there sits a broken glass next to a packet of Marlboro cigarettes, which is the brand that Auguste smokes.
A symbol common to the three films is that of an underlying link or thing that keeps the protagonist linked to his/her past, in the case of Red the judge never closes his doors or gates, despite the fact that he wants to be cut off from everything; also relevant are fountain pens, in a seemingly unconnected scene August gets a fountain pen as a gift and he wonders how many destinies he will change with the pen, later in the film Judge Kern is about to write letters to his neighbours denouncing himself as a spy and his pen stops working and he is forced to write his letters with a pencil. In the case of Blue it is a lamp of blue beads and a recurring image of people falling.
This film also depicts topics of Law Philosophy and the manner in which man acts in society, the relationship between the law, ethics and socially acceptable behaviour and how not all of them coincide, particularly in the reflections by Judge Kern and some symbols related to Auguste.
The film has been interpreted as an anti-romance, in parallel with Blue being an anti-tragedy and White being an anti-comedy.
IMDB info
http://kutuphane.akparti.org.tr
BluRay | French Subs: English mkv 95 mins 4.43 GB
Director: Krzysztof Kieslowski | Writers: Krzysztof Kieslowski, Krzysztof Piesiewicz | Stars: Irène Jacob, Jean-Louis Trintignant, Frédérique Feder
Drama Mystery / Romance
Three Colors White 1994 BluRay mkv 88 mins 4.59 GB
Director: Krzysztof Kieslowski Writers: Krzysztof Kieslowski, Krzysztof Piesiewicz | Stars: Zbigniew Zamachowski, Julie Delpy, Janusz Gajos
Language: Polish, French | Subtitles: English
Genre: Comedy / Drama / Mystery
Director: Krzysztof Kieslowski Writers: Krzysztof Kieslowski, Krzysztof Piesiewicz | Stars: Zbigniew Zamachowski, Julie Delpy, Janusz Gajos
Language: Polish, French | Subtitles: English
Genre: Comedy / Drama / Mystery
Üç Renk: Mavi (1993)
BluRay Language: French Subtitles: English mkv 94 mins |4.37 GB
Director Krzysztof Kieslowski Writers: Krzysztof Kieslowski, Krzysztof Piesiewicz Stars: Juliette Binoche, Zbigniew Zamachowski, Julie Delpy
Drama Music Mystery
BluRay Language: French Subtitles: English mkv 94 mins |4.37 GB
Director Krzysztof Kieslowski Writers: Krzysztof Kieslowski, Krzysztof Piesiewicz Stars: Juliette Binoche, Zbigniew Zamachowski, Julie Delpy
Drama Music Mystery
Three Colors: Blue is the first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. Blue is the story of Julie who loses her husband, an acclaimed European composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew free of personal commitments, belongings grief and love. She intends to spiritually commit suicide by withdrawing from the world and live completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heals Julie and irresistably draws her back to the land of the living.
IMDB info
Single link, Filesonic, 4.59 GB:
three.colors.white.1994.proper.720p.bluray.x264_cinefile.rar
400 MB volumes, Filesonic:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
400 MB volumes, Uploading:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
No mirrors please
Three Colors White 1994
Three Colors: White (French: Trois Couleurs: Blanc, Polish: Trzy kolory. Biały) is a 1994 Polish-film co-written, produced, and directed by Krzysztof Kieślowski. White is the second in The Three Colors Trilogy, themed on the French Revolutionary ideals, following Blue and preceding Red.
Starting in Paris, the film depicts Karol Karol, a shy man who, after being left by his wife in humiliating circumstances, loses his money, his residency, and his friends. As a deeply ashamed beggar in Warsaw, Karol begins his effort to restore equality to his life through revenge.
This film illustrates the second theme of the Three Colors trilogy, equality, through the two desires of the protagonist Karol Karol: improving his station in life, and revenge. In contrast to the introspective, melancholy, and eventually hopeful stories of Blue and Red, White is a black comedy.
The film has a political subtext, in which Karol's impotence and financial helplessness in France, and subsequent rise as a somewhat shady capitalist, mirror the attempts of Poland to advance from its disadvantaged position within Europe. Though Kieślowski had cheered the downfall of Poland's former communist regime, in later life he expressed a nearly equal distaste for the free-market adjustments that followed, believing that opportunities for real equality had been passed up in the pursuit of money and European prestige.
Like Blue, the film's cinematography makes heavy use of the title colour: the sky is almost always white, and a scene in Poland is filmed in a white snowscape. An explosion of white is also the colour of the long-awaited orgasm. As with the rest of the Three Colors trilogy, White contains numerous images that at first appear unconnected but are revealed to be flashbacks, flash-forwards, or references to other films in the trilogy. In the opening scene in the courthouse, Juliette Binoche, playing Julie from Blue, briefly enters the courtroom by accident, as she had been seen doing in the earlier film.
A symbol common to the three films is that of an underlying link or thing that keeps the protagonist linked to his/her past, in the case of White the items that link Karol to his past are a 2 Fr. coin and an immoral plaster bust that he stole from an antique store in Paris. The first inexplicably sticks to his hand when he tries to throw it away, and he keeps it until he buries it with "his" corpse. In the case of Red the judge never closes or locks his doors and his fountain pen, which stops working at a crucial point in the story. In the case of Blue it is a lamp decoration of blue beads and a recurring image of people falling while bungee jumping or sky diving.
A recurring image related to the spirit of the film is that of elderly people recycling bottles; in Three Colors: White, an old man in Paris is trying to recycle a bottle but cannot reach the container and Karol looks at him with a sinister grin on his face (in the spirit of equality). In Three Colors: Blue, an old woman in Paris is recycling bottles and Julie does not notice her (in the spirit of freedom); in Three Colors: Red an old woman cannot reach the hole of the container and Valentine helps her (in the spirit of solidarity).
It has been interpreted as an anti-comedy, in parallel with Blue being an anti-tragedy and Red being an anti-romance.
IMDB info
Single link, Filesonic, 4.59 GB:
three.colors.white.1994.proper.720p.bluray.x264_cinefile.rar
400 MB volumes, Filesonic:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
400 MB volumes, Uploading:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
No mirrors please
Three Colors: Red 1994
Single link, 4.43 GB:
Three.Colors.Red.1994.PROPER.720p.BluRay.x264_CiNEFiLE.rar
400 MB volumes, Filesonic:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
400 MB volumes, Fileserve:
Part 01 | Part 02 | Part 03 | Part 04
Part 05 | Part 06 | Part 07 | Part 08
Part 09 | Part 10 | Part 11 | Part 12
No mirrors please
Three Colors: Red (French: Trois Couleurs: Rouge, Polish: Trzy kolory. Czerwony) is a 1994 French-Polish–Swiss co-production, co-written, produced, and directed by Polish filmmaker Krzysztof Kieślowski. It is the final film of The Three Colors Trilogy, which examines the French Revolutionary ideals; it is preceded by Blue and White. Kieślowski had announced that this would be his final film, which proved true with the director's sudden death in 1996. Red is about fraternity, which it examines by showing characters whose lives gradually become closely interconnected, with bonds forming between two characters who appear to have little in common.
Valentine is a young model living in Geneva. Because of a dog she ran over, she meets a retired judge who spies his neighbours' phone calls, not for money but to feed his cynicism. The film is the story of relationships between some human beings, Valentine and the judge, but also other people who may not be aware of the relationship they have with Valentine or/and the old judge. Redemption, forgiveness and compassion...
As in the previous two films, a single color dominates: numerous objects in the film are bright red, including the huge advertising banner featuring Valentine's facial profile. Several images recur throughout the film. Telephone communication is important throughout, and so is broken glass (when Kern reveals his eavesdropping, his neighbors throw rocks through his windows, and the end of the film Kern watches Valentine and Auguste on the news while watching the outside world through broken glass). Also, when Valentine is bowling, the camera moves down the line to where there sits a broken glass next to a packet of Marlboro cigarettes, which is the brand that Auguste smokes.
A symbol common to the three films is that of an underlying link or thing that keeps the protagonist linked to his/her past, in the case of Red the judge never closes his doors or gates, despite the fact that he wants to be cut off from everything; also relevant are fountain pens, in a seemingly unconnected scene August gets a fountain pen as a gift and he wonders how many destinies he will change with the pen, later in the film Judge Kern is about to write letters to his neighbours denouncing himself as a spy and his pen stops working and he is forced to write his letters with a pencil. In the case of Blue it is a lamp of blue beads and a recurring image of people falling.
This film also depicts topics of Law Philosophy and the manner in which man acts in society, the relationship between the law, ethics and socially acceptable behaviour and how not all of them coincide, particularly in the reflections by Judge Kern and some symbols related to Auguste.
The film has been interpreted as an anti-romance, in parallel with Blue being an anti-tragedy and White being an anti-comedy.
IMDB info
http://kutuphane.akparti.org.tr
