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Betty 1992 Artificial Eyes A Film by Claude Chabrol 5 etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
Betty 1992 Artificial Eyes A Film by Claude Chabrol 5 etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster

19 Ağustos 2011 Cuma

Betty 1992 Artificial Eyes A Film by Claude Chabrol 5,08 Gb Drama French

Betty 1992 Artificial Eyes
A Film by Claude Chabrol
  01:39:40  5,08 Gb Drama French
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Adapted from a novel by Georges Simenon, Betty stars Marie Trintignant in the title role. A drunken wastrel, Betty is adopted after a fashion by an older female alcoholic named Laure, played by director Claude Chabrol's wife at the time, Stéphane Audran. Fascinated by Betty's hard-luck tales, Laure endeavors to protect the younger woman from the ravages of a cruel world. Unfortunately, she turns a blind eye to Betty's larcenous streak, which manifests itself at the worst possible moments. This tale of a irredeemable ne'er-do-well is fleshed out by a flashback-flashforward technique that some observers found confusing and distracting.

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Chabrol uses flashbacks to tell us a little of Betty's story, of her marriage into a rich family that valued her only because her womb could produce heirs. We learn of her drinking, of the reckless sexual behavior that she used to prove she was still free, and of the terrible thing that happened on the rainy night when we saw her for the first time. But there are still surprises, and her destiny is not as inevitable as we may think.

The special gift of this movie is that nothing depends on anything else. It is not necessary that any of the characters meet.

When they do meet, the film supplies them with no obligatory tasks (to fall in love, say, or take a trip, commit a murder, rob a bank).

They have only one responsibility: to do whatever comes next. This creates an entirely different order of suspense from the ordinary "suspense" film.

Watching it, in the same week I saw two conventional Hollywood "thrillers," was like being invited to participate with the depths my mind instead of just the shallow surface.
Rober Ebert's Review
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Azsonra Birazdan Şimdi Biz Türkiye'yiz.
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