Azsonra Birazdan Şimdi Biz Türkiye'yiz. MarmaraYenikapı Ahsarla #etiket
Music etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
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15 Ağustos 2011 Pazartesi

Vaya con Dios 2002 DVDRip XviD 103mins 701Mb Comedy, Music, Romance 6 wins

Vaya con Dios 2002
DVDRip XviD 103mins  701Mb
Comedy, Music, Romance  6 wins  IMDB Rating 7.0/10

Three monks are making their way from Germany to a monastry in Italy, because they cannot afford the rent for their facility any longer. IMDB
 
Overlooked Jewel
Wonderful little road movie cum romantic comedy with some extras that make this movie special. Basically, Vayas con dios is a film about love and temptation. While there may have been better films in recent years, the central scene of this movie is the most beautiful scene I have seen in a long time. Here, all different kinds of love a portrayed in one crucial moment. Spirandelli, an opera director by trade, certainly knows how to stage his actors.
IMDB Reviewer
 
http://www.wupload.com/file/100549123/Vaya.con.Dios.part1.rar
http://www.wupload.com/file/100549147/Vaya.con.Dios.part2.rar
 

31 Temmuz 2011 Pazar

Young Man with a Horn El Trompetista 1950 Biography, Drama, Music, Romance Director Michael Curtiz Kirk Douglas, Lauren Bacall and Doris Day DVD9 107 min 5,45 GB

Young Man with a Horn El Trompetista 1950 
Director Michael Curtiz
Kirk Douglas, Lauren Bacall and Doris Day
DVD9 107 min 5,45 GB
Sub: English, Spanish, Swedish, Portuguese, Norwegian, Finnish, Polish, Hebrew, Hungarian, Czech
Biography, Drama, Music, Romance

Aimless youth Rick Martin learns he has a gift for music and falls in love with the trumpet. Legendary trumpeter Art Hazzard takes Rick under his wing and teaches him all he knows about playing. To the exclusion of anything else in life, Rick becomes a star trumpeter, but his volatile personality and desire to play jazz rather than the restricted tunes of the bands he works for lands him in trouble.

Director Michael Curtiz
Kirk Douglas, Lauren Bacall and Doris Day
Production land: USA
Premiere Date: 9 February 1950 USA
IMDb - 7.0 (1077 votes)


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10 Temmuz 2011 Pazar

Taking Sides 2001 Yönetmen istvan Szabo Toronto international Film Festival Harvey Keitel, Stellan Skarsgard ve Moritz Bleibtreu 5,46 GB Drama, Music, War

Taking Sides 2001 Yönetmen istvan Szabo Toronto international Film Festival
 Harvey Keitel, Stellan Skarsgard ve Moritz Bleibtreu
5,46 GB
Drama, Music, War

Wilhelm Furtwangler, görev süresi tartışmalı Nazi dönemi ile aynı döneme denk Berlin Filarmoni tartışmalı iletken hayat hikayesi. 30'larda en muhteşem ve ünlü iletkenlerin Furtwangler ünü Toscanini'yi boy ölçüşecek. Savaştan sonra, Müttefiklerin de Nazification programının bir parçası olarak araştırıldı. Işgal edilmiş bir Almanya ayı ve adalet hemen savaş sonrası dönemde bombalandı Berlin, Müttefikler yavaş yavaş hukuk ve düzen getirmek. An American büyük Furtwangler dosya verilir, ve o her şeyi bulmak ve acımasızca adam kovuşturma söyledi. Sağlam ve sert burunlu, Binbaşı Steve Arnold, hiçbir şey bildiği bir dünya araştırmak için ortaya koymaktadır. Furtwangler ahlakına Orkestrası üyeleri için kefil - o ne o orkestra Yahudi oyuncuları korumak için yaptım. Müzikal mirasını derinden saygılı Almanlar, Furtwangler demigod; Binbaşı Arnold, o sadece bir yalan, Nazi zayıf iradeli.
A tale based on the life of Wilhelm Furtwangler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era. One of the most spectacular and renowned conductors of the 30s, Furtwangler's reputation rivaled that of Toscanini's. After the war, he was investigated as part of the Allies' de-Nazification programme. In the bombed-out Berlin of the immediate post-war period, the Allies slowly bring law and order--and justice--to bear on an occupied Germany. An American major is given the Furtwangler file, and is told to find everything he can and to prosecute the man ruthlessly. Tough and hard-nosed, Major Steve Arnold sets out to investigate a world of which he knows nothing. Orchestra members vouch for Furtwangler's morality--he did what he could to protect Jewish players from his orchestra. To the Germans, deeply respectful of their musical heritage, Furtwangler was a demigod; to Major Arnold, he is just a lying, weak-willed Nazi.

Director: Istvan Szabo
Stars: Harvey Keitel, Stellan Skarsgard and Moritz Bleibtreu
Production land: France, UK, Germany, Austria
Premiere Date: 13 September 2001 Toronto international Film Festival
IMDb - 7.1 (2089 votes)

IMDb - 7.1 (2089 votes)

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La Ardilla Roja The Red Squirrel Kırmızı Sincap 1993 Director Julio Medem Emma Suarez, Nancho Novo and Maria Barranco 7 GB Comedy, Drama, Music, Mystery, Romance

La Ardilla Roja The Red Squirrel Kırmızı Sincap 1993 Director Julio Medem
 Emma Suarez, Nancho Novo and Maria Barranco
7 GB Comedy, Drama, Music, Mystery, Romance

Jota intihar etmek üzeredir. Kendisini karşı mücadele olarak, bir köprü, bir motosiklet köprü düşer sürme bir kız atlamak için çalışıyorum. Ona yardımcı olmak için çalışır ve onu hastaneye gider. O ne onun adını ve ona hayat icat bile unutmuş. Onun için bir isim yapar ve dört yıl için bir çift olarak birlikte yaşadığımız onu ve doktorlar söyler. Yalan bir süre için devam ediyor ...

Jota is about to commit suicide. As he fighting against himself, trying to jump off a bridge, a girl riding a motorcycle falls off the bridge. He runs to help her, and goes with her to the hospital. She has forgotten even what her name is, and he invents her life. He makes up a name for her and tells her and the doctors that they live together as a couple for four years. The lie goes on for a while...

Director: Julio Medem
Stars: Emma Suarez, Nancho Novo and Maria Barranco
Production land: Spain
Premiere Date: 21 April 1993 Spain
IMDb - 7.3 (2259 votes)


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8 Temmuz 2011 Cuma

Broadway Serenade 1939 Director Robert Z Leonard Jeanette MacDonald, Lew Ayres and Ian HunterDVD5 109 min 3,85 GB Drama, Music, Romance

Broadway Serenade 1939
DVD5 109 min 3,85 GB
Drama, Music, Romance

Mary Hale (a singer) and Jimmy Seymour (pianist/composer), are a show biz couple working in The Big Apple in small night clubs hoping to hit it big. One night, Larry Bryant (a Broadway producer) spots Mary and is taken with her beauty and golden voice. Larry Bryant asks her to audition for Mr. Collier and have Jimmy accompany her. After hearing Mary, Collier wants Mary to be in his show. Jimmy encourages a reluctant Mary to go on the road without him. Soon Mary's talent is noticed and her role in the show increases, while Harriet Ingalls the show's original star is pushed out. Ingalls quits promising to seek revenge. After 5 weeks on the road, Mary returns home. Mary is now a big star, while Jimmy's career has gone nowhere, and he feels threatened by Mary's success. Jimmy while waiting for Mary to dress, starts to read a Broadway magazine. Seeing pictures of Mary with Larry, he pours himself a drink and another till he's drunk...

Director Robert Z. Leonard
Jeanette MacDonald, Lew Ayres and Ian Hunter
Production land: USA
Premiere Date: 7 April 1939 USA
IMDb


http://www.wupload.com/file/46063894/Broadway.Serenade.part01.rar
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28 Haziran 2011 Salı

The Doors 1991 A Film by Oliver Stone BluRay Rip MKV 14,60 Gb Biography, Drama, Music

The Doors 1991
A Film by Oliver Stone BluRay Rip MKV 02:20:33 14,60 Gb
Biography, Drama, Music USA

Val Kilmer delivers what was considered one of 1991's best performances as Jim Morrison in Oliver Stone's hallucinatory bio-pic of the seminal 1960s rock group The Doors. Stone cuts a jagged swath through Morrison's life, starting with a childhood memory where Morrison sees an elderly Indian dying by the roadside. It picks up with Morrison's arrival in California and his assimilation into the Venice Beach culture, followed by his film school days at UCLA; his introduction to his girlfriend Pamela Courson (Meg Ryan); his first encounters with Ray Manzarek (Kyle MacLachlan); and the origin of The Doors -- made up of Manzarek, Robby Kreiger (Frank Whaley), and John Densmore (Kevin Dillon). As the fame of The Doors grows, Morrison's obsession with death increases. The band grows weary of Morrison's missed recording sessions and no-shows at concerts. Morrison, meanwhile, sinks deeper into a drug-induced haze, having mystical sexual encounters with Patricia Kennealy (Kathleen Quinlan), an older rock journalist involved with sadomasochism and witchcraft.

IMDB


Jim Morrison, the lead singer and lyricist of the Doors, was equal parts poet, provocateur and snake-oil salesman. You might say the same of Oliver Stone, the writer-director (Platoon, Born on the Fourth of July) who has turned Morrison's short life — he died of heart failure in 1971 at the age of twenty-seven — into a film of wretched and splendid excess. You expect in-your-face from Stone and Morrison. Both are products of the turbulent Sixties. The decade jazzed them, molded their sensibilities, taught them that art should be violent and dangerous: Feel it, mock it, even fake it, but keep it larger than life.

The Doors is a thrilling spectacle — the King Kong of rock movies — featuring a starmaking, ball-of-fire performance by Val Kilmer as Morrison. I can't recall a film that evokes the myth of the Sixties more potently. It's not all free love, psychedelic drugs and electric blues, either. The cruelty, delusion and self-destruction are included, along with the dopey hippie rhetoric. Stone goes to extremes — the movie is too much of everything — but the eerily alluring music of the Doors helps him capture the dark side of a decade.



In his 1990 book Riders on the Storm, Doors drummer John Densmore expressed fears about what kind of movie Stone would make. As a friend told him, "They're going to take your six-year career and squash it down to two hours and then blow it up to the size of a two-story building." Densmore had reason to worry. Stone and co-writer J. Randal Johnson, who based their script on eyewitness interviews and their own fervid imaginations, have done some squashing. Though Kevin Dillon is fine as Densmore and there is solid work from Frank Whaley as guitarist Robby Krieger and Kyle MacLachlan as keyboardist Ray Manzarek, Stone's movie isn't really about the Doors. It's a one-man show.


And what a show. With ferocious cunning, Kilmer shows how this introspective son of a navy officer put his past behind him (Morrison told the press his parents were dead) and built a persona as "the god of rock and cock." In his licorice black leathers, Kilmer's Morrison stalks the stage, spitting out lyrics to shock his audience ("Father, I want to kill you/Mother, I want to fuck you"). It's not art — Morrison's avant-garde posturing can grow grating — but it is great theater. Paul Rothchild, who produced most of the band's albums, supervised the soundtrack, which should send Doors freaks into Dolby bliss. (Kilmer's vocals are seamlessly meshed with Morrison's in a few numbers.) The film is also a stunning re-creation of the period — from the early gigs at L.A.'s Whiskey au Go Go to Morrison's arrest at a 1969 Miami concert for exposing his private parts.


Stone does little to soften Morrison's reputation as a user. Booze, drugs, blondes and blow jobs — the Lizard King did whatever it took to light his fire. The film focuses on two women in his life — Patricia Kennealy (a strident Kathleen Quinlan), a journalist whom Morrison bullies into having an abortion, and Pamela Courson (a wan Meg Ryan), his common-law wife, whose smack habit — she OD'd in 1974 — is tied to his indifference and neglect. If Morrison had a brighter side, you won't find it shining here.


Stone wants to uncover the tragic poet in the pop icon. Morrison's fatalistic yearnings seem to touch a responsive chord in Stone; the film may provoke charges of morbid glamorization. Lying dead in his Paris bathtub, Morrison has a transcendent smile. But Stone doesn't pretend to know whether Morrison did break on through to the other side. The movie stops at the grave. Stone never persuades us to believe that Morrison was a genius on a par with MoliFre, Proust, Oscar Wilde and the other artists resting in Paris's PFre-Lachaise Cemetery. But the flashes of brilliance in the film exert a powerful hold. Twenty years after his death, Jim Morrison can still convince an audience that he's onto something.
Peter Travers, Rolling Stone Reviewes
 
 We all know how legendary The Doors were and still are, and sooner or later someone was going to make a film about them. Might as well be Oliver Stone. Given the subject matter, Stone was able to go off the deep end with his imagery here to the point of making one have an epileptic seizure OR think they just dropped some acid. Either way, it's great to watch in my book.

The film is flawed in that it's not titled correctly. It's not about The Doors, it's about Jim Morrison and basically just the wild and crazy side of him. That's ok I guess, Morrison was The Doors. Many have criticized Stone for not depicting Jim in the proper light, but given how many people knew him it had to be an almost impossible task to please everyone as everyone knew him differently. I think we all can attest to this through the friendships we have with our friends. Some know us as one way, and some know us as another. I respect Stone for trying and feel sorry for him about the flak people have given him as I know he is a very talented director. I think his intentions were spawned out of true admiration and that he made this film for himself and to pay tribute, and not to win any awards. More of this can be found on the Special Edition DVD from Stone himself.


Even if one does not enjoy the trippy qualities of the film such as I do, or any part for that matter, one could not avoid admitting how well Val Kilmer portrays Morrison. It's simply amazing and is one of the best performances that I can bring to mind, and is the best example of how to literally become someone else, bar none. He doesn't act like he's Jim Morrison, he becomes Jim Morrison. He is Jim Morrison. This is no doubt helped by the uncanny facial similarities the two have. Not only that, most of the singing that's in the film was done by Kilmer himself and even a few of the original band members admitted that they honestly could not tell the difference between their two voices. Even if you hate Val Kilmer, this performance jumps in your face and screams for respect while trying to strangle you.


As mentioned earlier, some do not like the film for several reasons. One is that it makes Jim look like a monster and that it only glorifies his wild and uninhibited behavior. Two is that it's basically just one big acid trip into bits of history about the band. For one, Oliver Stone said it best....when you have to condense a person's life, a legend at that, into two measly hours you must take the highlights. Everyone lives longer than two hours, even Jim. We all know Jim was crazy, and with so many of the insane stories Stone heard while trying to piece together the script for this, a lot of what he heard was simply what you see. The wild and crazy side. As a result, what we're left with is not an accurate depiction of The Doors or of Jim Morrison. It is entertaining, yes, but it is not accurate. I think it could have been done perfectly, but it would have been excruciatingly difficult...and still not everyone would like it. And as far as the trippiness of the film, well that's Oliver Stone for you. We saw the same thing in Natural Born Killers a few years later. I personally like the style of it and felt that it was in place here but that's just my opinion. The '60's, drugs, and rock and roll equals trippy.

Overall a decent attempt at one of the most difficult subjects to cover, legends. And even though it's not entirely accurate and even though Morrison is one of my idols and he deserved a little better, I do enjoy the film greatly. The film should have been named Pandora's Box.
IMDB Reviewer
 
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16 Haziran 2011 Perşembe

Humoresque Hareketli beste 1946 Director Jean Negulesco Joan Crawford, John Garfield and Oscar Levant DVD9 124 min 5,68 GB Drama, Music, Romance

Humoresque Hareketli beste 1946 Director Jean Negulesco
 Joan Crawford, John Garfield and Oscar Levant
DVD9 124 min 5,68 GB
Drama, Music, Romance
Paul Boray bir işçi sınıfı arka plan gelir. O para kaybı hissettim, ama annesi desteklenen bu yana babası sevmediği bir çocuk yaşından beri keman ilgi oldu. Onun yetişkin hayata Paul bir konser keman sanatçısı olmak istiyor, o yetenek şovları rağmen, o kadar kadim dostu, virtüöz piyanist Sid Jeffers ve çellist Gina Romney gibi, doğru bağlantıları konser dünyaya bunu yapmak zorunda değildir hem kim, Paul gibi, National Institute Orkestrası ile tren. Gina ve Paul ona aşkını itiraf birbirleriyle, Gina ile bir bağlantısı var. Sid ile bir partide yerine getirirken, Paul Helen ve Victor Wright, ev sahipleri karşılar. Eşi Helen nevroz olarak kendini hangi güçlü fikirli ancak güvensiz ise Victor, bir algısal ama kendini kuşkusuz zayıf bir adam. O sürekli aşırı alkol tüketimi onu mutsuz bir hayattan unutmak için çalışır ...
Paul Boray comes from a working class background. He has been interested in the violin since he was a child, which his father disliked since he felt it a waste of money, but which his mother supported. Into his adult life, Paul wants to become a concert violinist, and although he shows talent, he does not have the right connections to make it into the concert performance world, much like his longtime friend, virtuoso pianist Sid Jeffers, and cellist Gina Romney, both who, like Paul, train with the National Institute Orchestra. Gina and Paul have a connection with each other, Gina who confesses her love for him. While performing at a party with Sid, Paul meets Helen and Victor Wright, their hosts. Victor is a perceptive but self-admittedly weak man, while his wife Helen is strong minded but insecure which manifests itself as neurosis. She constantly tries to forget about her unhappy life by excessive alcohol consumption...

Extras:
The Music of Humoresque Featurette
Theatrical Trailer
Director Jean Negulesco
 Joan Crawford, John Garfield and Oscar Levant
Production land: USA
Premiere Date: 25 December 1946 USA
IMDb - 7.4 (1630 votes)
IMDb - 7.4 (1630 votes)


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30 Mayıs 2011 Pazartesi

Listen to Your Heart Kalbinizi dinleyin 2010 DVDRip XviD 698 MB Drama, Music, Romance 5 wons 1 nomination USA Directed Matt Thompson Alexia Rasmussen, Kent Moran and Cybill Shepherd

Listen to Your Heart Kalbinizi dinleyin 2010
DVDRip 01:36:13 XviD 698 MB
Drama, Music, Romance 5 wons 1 nomination  USA

IMDB rating: 6.6/10 (218 votes)
Directed Matt Thompson
Alexia Rasmussen, Kent Moran and Cybill Shepherd

A struggling New York City songwriter (Kent Moran) becomes enamored with a wealthy hearing-impaired girl from Greenwich, Connecticut (Alexia Rasmussen) who tragically cannot hear the music she inspires him to write. After falling in love against the wishes of her controlling mother, Ariana becomes torn between hanging onto the shelter her controlling mother (Cybill Shepherd) provides and fighting for a love that, if given the chance, might just change her life.

More info: IMDB | Awards


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 http://kutuphane.akparti.org.tr



22 Nisan 2011 Cuma

BBC Heavy Metal Britannia 2010 SATRip XviD 1,2 Gb Documentary, Music

BBC Heavy Metal Britannia
2010  SATRip XviD 01:29:14  1,2 Gb
Documentary, Music  
 
 Nigel Planer narrates a documentary which traces the origins and development of British heavy metal from its humble beginnings in the industrialised Midlands to its proud international triumph.
 
 In the late 60s a number of British bands were forging a new kind of sound. Known as hard rock, it was loud, tough, energetic and sometimes dark in outlook. They didn't know it, but Deep Purple, Uriah Heep and, most significantly, Black Sabbath were defining what first became heavy rock and then eventually heavy metal.

Inspired by blues rock, progressive rock, classical music and high energy American rock, they synthesised the sound that would inspire bands like Judas Priest to take metal even further during the 70s.

By the 80s its originators had fallen foul of punk rock, creative stasis or drug and alcohol abuse. But a new wave of British heavy metal was ready to take up the crusade. With the success of bands like Iron Maiden, it went global.

Contributors include Lemmy, Sabbath's Tony Iommi, Ian Gillan from Deep Purple, Judas Priest singer Rob Halford, Bruce Dickinson from Iron Maiden and Saxon's Biff Byford.
 
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2 Mart 2011 Çarşamba

Genius Within The inner Life Of Glenn Gould hayat içinde deha 2009 Documentary, Biography, Music

Genius Within The inner Life Of Glenn Gould hayat içinde deha 2009
DVDRip  Language: English  AVI  XviD 1h 54m 702 MB
Documentary, Biography, Music

An enigmatic musical poet, world-renowned pianist Glenn Gould continues to captivate twenty-seven years after his untimely death. His inimitable music and writing reveal and insightful world-view that we are still unravelling – his complex recording technologies, including overdubbing, was unprecedented. Though there have been many documentaries about Gould, most are distracted by his eccentricities, focusing on the pills, gloves, and scarves while missing the man and message behind the music. Genius Within: The Inner Life of Glenn Gould pierces through the myths, revealing the man beneath the icon.

Genius Within: The Inner Life of Glenn Gould weaves together an unprecedented array of never before seen footage of Gould, photographs and excerpts from his private home recordings and diaries plus personal interviews with Gould’s most intimate friends and lovers, some who have never spoken about him publicly before, to reconstruct his thoughts on music, art, society, love, and life.

In our current media saturated world, where information trumps knowledge, there’s a profound need for someone who cuts through the static and speaks to us with a clear, candid, and timeless tone. That is one of Glenn Gould’s most profound gifts.

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Esrarengiz bir müzikal şair, dünyaca ünlü piyanist Glenn Gould onun zamansız ölümünden sonra 27 yıl büyüleyecek devam ediyor. Onun eşsiz müzik ve yazı ve hala çözülüyor olduğunu anlayışlı dünya görüşü ortaya - dublaj dahil onun karmaşık kayıt teknolojileri, görülmemiş idi. Gould ile ilgili birçok belgesel var olmasına rağmen, en hapları, eldiven odaklanarak, onun dışmerkezliliğinden dalıp ve adam ve mesaj müzik arkasında eksik ise eşarp. Deha içinde: Glenn Gould of Inner Life simgesi altında adam açığa mitler aracılığıyla deler.

Deha içinde: Glenn Gould of Inner Life birlikte onun hakkında konuştum hiç Gould en samimi arkadaşlarım ve sevgili, bazı ile yaptığı özel ev kayıtları ve günlükler artı kişisel görüşmelerle Gould, fotoğraf ve bölümlerin görülme görüntüleri daha önce hiç görülmemiş bir dizi örgüleri kamuya önce, müzik, sanat, toplum, aşk ve yaşam üzerine düşüncelerini yeniden.

Mevcut medya dünyası, doymuş olarak nerede bilgi koz bilgi, statik üzerinden keser ve bir, samimi, açık ve zamansız sesiyle bizi konuşuyor biri için derin bir ihtiyaç var. Bu Glenn Gould en derin armağanlardan biridir.
 

27 Kasım 2010 Cumartesi

Step Up 3D 2010 Drama, Music, Romance 107 mins 1,64 Gb

Step Up 3D 2010 Drama, Music, Romance 107 mins 1,64 Gb

A tight-knit group of New York City street dancers, including Luke (Malambri) and Natalie (Vinson), team up with NYU freshman Moose (Sevani), and find themselves pitted against the world's best hip hop dancers in a high-stakes showdown that will change their lives forever.

IMDB

 Luke (Malambri) ve Natalie (Vinson), NYU birinci Moose (Sevani) ile Team Up İçeriği New York'ta sokak dansçıları bir sıkı grup, ve yüksek bahisli showdown dünyanın en iyi hip hop dansçıları karşı karşıya Kendilerini bulmak o Forever hayatlarını değiştirecek. 


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